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	<title>michaelphilipsmith.org</title>
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	<link>http://michaelphilipsmith.org</link>
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		<title>the notes on your bass</title>
		<link>http://michaelphilipsmith.org/11/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=11</link>
		<comments>http://michaelphilipsmith.org/11/#comments</comments>
		<pubDate>Wed, 26 Jan 2011 16:00:22 +0000</pubDate>
		<dc:creator>mps</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[** Random visitors be aware – this is material created solely so I can test out WordPress; don&#8217;t look for accuracy or quality prose here ** The notes on your bass Let&#8217;s start by looking at the thickest string on your bass. Even though it&#8217;s the highest in terms of it&#8217;s physical placement (it&#8217;s furthest [...]]]></description>
			<content:encoded><![CDATA[<p><em>** Random visitors be aware – this is material created solely so I can  test out WordPress; don&#8217;t look for accuracy or quality prose here **</em></p>
<h2>The notes on your bass</h2>
<p>Let&#8217;s start by looking at the <strong>thickest</strong> string on your bass. Even though it&#8217;s the highest in terms of it&#8217;s physical placement (it&#8217;s furthest from the ground and the closest to the sky) it is known as the <strong>lowest</strong> string. You play the lowest notes on it; it&#8217;s the lowest string.</p>
<p>This string is your guy. If you had some kind of freak accident on your way to a gig and all your other strings broke on the way to a gig, you could get by just using this fella.</p>
<p>The most common tuning of the electric bass is like so:</p>
<p>E F F# G G# A A# B C C# D D# E</p>
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		<title>beginner theory for bassists – introduction</title>
		<link>http://michaelphilipsmith.org/beginner-theory-for-bassists-%e2%80%93-introduction/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beginner-theory-for-bassists-%25e2%2580%2593-introduction</link>
		<comments>http://michaelphilipsmith.org/beginner-theory-for-bassists-%e2%80%93-introduction/#comments</comments>
		<pubDate>Wed, 26 Jan 2011 15:53:39 +0000</pubDate>
		<dc:creator>mps</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://michaelphilipsmith.org/wordpress/?p=9</guid>
		<description><![CDATA[** Random visitors be aware – this is material created solely so I can test out WordPress; don&#8217;t look for accuracy or quality prose here ** This is a series of short lessons aimed at beginner bassists who want to be functional in a band as soon as possible. You&#8217;ve maybe/possibly already had some jams [...]]]></description>
			<content:encoded><![CDATA[<p>** Random visitors be aware – this is material created solely so I can test out WordPress; don&#8217;t look for accuracy or quality prose here **</p>
<p>This is a series of short lessons aimed at beginner bassists who want to be functional in a band as soon as possible. You&#8217;ve maybe/possibly already had some jams with friends, been to ultimateguitar.com in search of the tab for one of your favourite songs, and watched a couple of Youtube tutorials.  You want to strike out into the wide world, but are worried that at your first audition the guitarist is going to introduce a song the song you&#8217;re going to paly like this:</p>
<p>&#8220;Cool, so this next one&#8217;s in 7/4.  It&#8217;s a groove around the B flat mixolydian with some flattened thirds thrown in there.  Just I, ii, VI, I – pretty simple. Just watch me for the changes.&#8221;</p>
<p>What&#8217;s he talking about?</p>
<p>Over the course of several posts I hope to introduce most of the concepts you need to be an asset in a practice room. I&#8217;ll try to order it logically, so you can go out and use each lesson pretty much straightaway.</p>
<p>Let&#8217;s get cracking!</p>
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